On its sixteenth year, ManilART ’24 embraces the theme “Prisms and Mosaics” highlighting the multifaceted nature of contemporary Filipino art.
Plugged into Fernalia: Art in the Age of AI, a special exhibit curated by Gromyko Semper, seeks to explore how artistry can thrive in an AI-driven world and what it could mean for the future of art. Through a unique curatorial approach, artists were invited to respond to specific prompts, offering their interpretations of AI’s impact on their craft.
A story unfolds in the exhibit’s four thematic sections: “Origins and Inspirations” retrospects on the initial promise brought by AI to the artistic landscape; “Ethics and Appropriation” raises the ever-growing concerns of artists and the use of creative content by AI companies; “Human vs. Machine” compares AI-generated art with human-made works; and “Future Visions” imagines the path forward, the future of creativity in an AI-dominated world.
Participating local and international artists include Noel Sadicon, Joshua Palisoc, Pen Medina, Isobel Francisco, Jonathan Benitez, Maria Magdamit, Judeo Herrera, Gilbert Semillano, Cheryl Hironaka, Glenn Martinez, Ali Alejandro, Roman Padilla, Angelo Padilla, Paul Benjamin Hilario, Jopeter Arias, Hermino Tan, Roberto Lolong, John Melvin Garcia, Joyce Pertez, Rem Kulas, AJ Pascua, Jascha Tolentino, Vince Balandra, Raeun Ramos, James Koehnline, Christian Townsend, and Peter Gric.
Artistic Exploration in 3D. The creative spirit refracts into countless forms of media, each offering a unique lens through which to view artistic expression. From Romulo Galicano’s masterful paintings to Darby Alcoseba’s surreal semi-murals, and Adeste Deguilmo’s cultural iconography to Joe Marie Sanclaria’s whimsical expressionism, the intersection of traditional and contemporary techniques is vividly showcased at ManilART.
Diverse sculptural media are a mainstay throughout the fair. A stunning array of glass sculptures includes Ramon Orlina’s groundbreaking works, Anna Orlina’s avant-garde pieces, and Marge Organo’s delicately vibrant creations. Ombok Villamor’s iridescent oversized metal pieces capture the eye, while Agi Pagkatipunan’s functional wood art commands admiration (not to mention gives respite to weary fairgoers). The juxtaposition of ManilART Curator Danny Rayos del Sol’s carved skulls and ostrich eggs and Ram Mallari’s brass steampunk works, creates a paradoxical symbol of vulnerability and fragility belied by ideals of rebellion against the establishment.
Hyperrealist Ed Coronel, multiple-time top prize awardee of the American Art Awards presents a three-part mural-sized canvas entitled “The Wave” as his detailed inquiry into realism and expression. Triggered by the conflict on the West Philippine Sea and continuing tensions in the region, Coronel paints gigantic black waves catching his iconic Grand Prize winning gummy bears, as symbols of resilience against the dynamics of dominance and flux of existence. The work receives the spotlight at the ManilART central podium area.
This year’s participating galleries include 29 Kapitolyo Art Space, 371 Art Space, Annual Sculpture Review, Art Circle, Art for Space Gallery PH, Artalyer, Artienda Art Gallery, Artologist Gallery, Artes Orientes, AT Art Gallery, Daloy Likha Art Gallery, Drybrush Gallery, Espacio Manila, Florentino Gallery, Galeria Bañez, Galleria Nicolas, Galerie Artes, Galerie Raphael, Gallery Nine, Historia Art, Legacy, Life ’n Arts Gallery, M Gallery MNL, Museo Orlina, NAMI Art Gallery, OMVI Art Gallery, Pugad ni Art, Rayos Del Sol Gallery, Renaissance Art Gallery, VAM International Art Gallery, Village Art Gallery, and Ysobel Art Gallery.